“In the new age of warfare we cling to the outdated notion of the single hero able to carry out daring feats of courage on the battlefield… Peddling the myth of heroism is essential, maybe even more so now, to entice soldiers into war.” (pg. 86, War is a Force that Gives Us Meaning by Chris Hedges). In the same vein, Chris Hedges decries the unrealistic picture of “the Rambo heroics we are fed by the state and the entertainment industry.” (pg. 87). The generic cartoon character of G.I. Joe, an American military veteran, represents a national hero, or “a real American hero” (Duke), indicating that national identity is often tied to the symbol of the single, brave warrior who defends that nation’s values and culture. I also would like to add that the comic superhero Captain America is an obvious embodiment of the American military hero who saves the country.
Everyone knows that the name ‘America’ came first before Captain America showed up on the scene, but not everybody realizes that the name ‘Roma’ came first before the heroic Romulus showed up on the scene. We can thus connect ancient Roman national identity to the required sentiment of a singular founding hero, Romulus, who could perform amazing exploits in protecting and expanding the boundaries of Rome.
The concept of a single hero or king with immeasurable powers who acts as a role model for the nation is what underlies the Indian epic Ramayana and the foundation myth of Rome. The role model and the nation’s identity then become inextricably intertwined, which is why Rome is named after Romulus, according to the conventional story of ancient Italy. But the reality is that the imposition of national identity, national culture, or simply nationalism is what fueled the creation of the Romulus legend, while also masking the ignorance of the local population regarding foreign influences that led to the actual process of naming Rome in the Orientalizing and Archaic periods.
English author George Orwell, who rightly questioned the whole idea of national identity (“Do such things as ‘national cultures’ really exist?”, pg. 22, The English People), hints at this ignorance that one could point out in any civilization, modern or ancient. He writes: “Millions of English people willingly accept as their national emblem the bulldog, an animal noted for its obstinacy, ugliness, and impenetrable stupidity. They have a remarkable readiness to admit that foreigners are more ‘clever’ than themselves, and yet they feel that it would be an outrage against the laws of God and Nature for England to be ruled by foreigners.” (pgs. 24-26). In essence, Orwell is telling us that nationalism acts as a shield against foreign influence, and nationalists worship symbols of ignorance such as the bulldog because of their irrational fear of the unknown (‘ignorance is bliss’, as the saying goes).
| The Loyal American Soldier exemplifies National Identity |
Xenophobia is thus a natural consequence of nationalism. Nationalism also breeds a stubborn unwillingness to explore new or fresh perspectives on history. The entire preface of Cornell’s book (The Beginnings of Rome: Italy and Rome from the Bronze Age to the Punic Wars) literally appears to be dedicated to condemning this defining trait of Anglo-American scholars. He laments in a long monologue:
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